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MUYBRIDGE, Horse in Motion, 1878 -Chronophotography
MATISSE, The Joy of Life, 1905-06 Fauvist - Emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism
PICASSO, Les Demoiselles d’Avignon, 1907 Iconic Composition
PICASSO, Medical Student, Sailor, and Five Nudes in a Bordello, 1907
PICASSO, Portrait of Kahnweiler, 1910
BRAQUE, The Portuguese, 1911
BRAQUE, Fruit Dish and Glass, 1912
PICASSO, Maquette for Guitar, 1912
MATISSE, Harmony in Red, 1908
BALLA, Dynamism of a Dog on a Leash, 1912
BOCCIONI, Unique Forms of Continuity in Space, 1913
SCHIELE, Schiele, Drawing a Nude Model before a Mirror, 1910 Viennese Expressionism
KANDINSKY, Composition VII, 1913 - Der Blaue Reiter
MARC, The Large Blue Horses, 1911 - Uses abstraction to get away from the industrialized world - Der Blaue Reiter
KLEE, In the Current Six Thresholds, 1929 - Swiss - Very experimental; Uses different types of paints
KIRCHNER, Street, Dresden, 1908 - Die Brucke
TATLIN, Counter-Relief, 1915
MALEVICH, Installation photo of his paintings in 0, 10 exhibition, 1915 Suprematism: is an art movement focused on fundamental geometric forms (in particular the square and circle) which formed in Russia in 1915-1916.
STEPANOVA, Design for Sportswear, 1923
RODCHENKO, Advertising Poster, 1924
DUCHAMP, 3 Standard Stoppages, 1913-14
DUCHAMP, Bottle Rack and Fountain, 1917
DUCHAMP, Bicycle Wheel, 1913
JANCO, Mask, 1919 - Cabaret Voltaire
BALL, Hugo Ball reciting the poem Karawane at the Cabaret Voltaire, Zurich - Sound poetry is a form of literary or musical composition in which the phonetic aspects of human speech are foregrounded at the expense of more conventional semantic and syntactic values; "verse without words". - Cabaret Voltaire
ARP, Collage Arranged According to the Laws of Chance, 1916-17 - Cabaret Voltaire
TAEUBER, Dada Head, 1920
HOCH, Cut with the Kitchen Knife - Photomontage - Berlin Dada - Photomontage
HEARTFIELD, Little German Christmas Tree, 1934 - Berlin Dada - Photomontage
Appropriation
refers to the use of borrowed elements in the creation of new work. The borrowed elements may include images, forms or styles from art history or from popular culture, or materials and techniques from non-art contexts.
Paul Cézanne
Said to form the bridge between late 19th century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. The line attributed to both Matisse and Picasso that Cézanne "is the father of us all" cannot be easily dismissed.
5 Characteristics of Cubism
Distortion, Flattened Space, Fragmentation, Restricted Palette, Reduced Detail
MATISSE, Music, 1909-10
DUCHAMP, Bicycle Wheel, 1913 TATLIN, Counter-Relief, 1915
PICASSO, Les Demoiselles d’Avignon, 1907 MATISSE, Music, 1909-10
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